Related Paintings of unknow artist :. | Figures and animals resting before the walls of a town | The Bagpiper | Arab or Arabic people and life. Orientalism oil paintings 119 | Sexy body, female nudes, classical nudes 11 | Arab or Arabic people and life. Orientalism oil paintings 463 |
Related Artists:
margareta capsia gavelin
Margareta Capsia, född 1682 i Sverige, död 20 juni 1759 i Åbo, var en svensk-finländsk konstnär, den första kvinnliga konstnären i Finland och en av de första i Skandinavien. Hon var kyrkomålare och målade altartavlor, men utförde även personporträtt. Capsias föräldrar Gottfried Capsia och Anna Schultz hade kommit till Sverige från Holland. Hon gifte sig i Stockholm 1719 med prästen Jacob Gavelin och flyttade till Vasa 1721, där hon gjorde sig känd som altarmålare i Österbotten. 1730 flyttade paret till Åbo, där hon blev känd i hela landet som konstnär. Hon målade altatavlorna i en rad kyrkor, bla målade hon 1739 Säkylä kyrkas altartavla, och i den gamla kyrkan i Paltamo, den så kallade bildkyrkan, finns bland annat en altartavla från 1727 som föreställer nattvarden. Hennes altartavlor beskrivs som individualistiska och naivt ärliga bibelillustrationer, och hon ansågs som landets då främsta altarkonstnärer tillsammans med Mikael Toppelius. Hon var en av de få kvinnliga konstnärerna kända i Skandinavien före 1800-talet, tillsammans med Ulrika Pasch i Sverige och Johanne Marie Fosie i Danmark. I Finland var även Helena Arnell känd under samma tid.
Wilhelm Trubner
German, 1851-1917 was a German realist painter of the circle of Wilhelm Leibl. Trubner was born in Heidelberg and had early training as a goldsmith. In 1867 he met classicist painter Anselm Feuerbach who encouraged him to study painting, and he began studies in Karlsruhe under Fedor Dietz. The next year saw him studying at the Kunstacademie in Munich, where he was to be greatly impressed by an international exhibition of paintings by Leibl and Gustave Courbet. Courbet visited Munich in 1869, not only exhibiting his work but demonstrating his alla prima method of working quickly from nature in public performances. This had an immediate impact on many of the city's young artists, who found Courbet's approach an invigorating alternative to the shopworn academic tradition. The early 1870s were a period of discovery for Tr??bner. He travelled to Italy, Holland and Belgium, and in Paris encountered the art of Manet, whose influence can be seen in the spontaneous yet restrained style of Trubner's portraits and landscapes. During this period he also made the acquaintance of Carl Schuch, Albert Lang and Hans Thoma, German painters who, like Trubner, greatly admired the unsentimental realism of Wilhelm Leibl. This group of artists came to be known as the "Leibl circle". He published writings on art theory in 1892 and 1898, which express above all the idea that "beauty must lie in the painting itself, not in the subject". By urging the viewer to discover beauty in a painting's formal values, its colors, proportions, and surface, Trubner advanced a philosophy of "art for art's sake".
Anna Munthe-Norstedt
painted Still Life with Spring Flowers in 1892